AUDIOVISUAIS Palcos & Bastidores Unp.Ldª | AUDIOVISUAIS Palcos & Bastidores Unp.Ldª |
| Dynamic Instrument Microphones |
| With the introduction of the D Series in
1993, Audix introduced this idea of "application specific"
microphones for drums and percussion. This broadened the category
of dynamic instrument microphones and expanded the genre of drum and
percussion applications. The D Series and Fireball™ Series microphones are designed, machined, assembled and tested at Audix in the USA. These dynamic VLM™ instrument microphones are preferred for live performance because of their utility, ruggedness, performance, high SPL handling and pattern control. Audix combined VLM™ capsule technology and a transformerless design with a precision machined aluminum housing to achieve new performance standards for high quality sound at very high sound pressure levels. The introduction of the D6 in 2002 set the world standard for kick drum microphones. Product developments continued as we released the i5, an outstanding mic for snare drum and guitar cabinets and the Fireball™ Series of professional harmonica and beatbox microphones. Designed for the up and coming artist, The Fusion Series delivers high performance in a cost effective package. All Fusion Series microphones are now designed, assembled and tested at the Audix manufacturing facility in Wilsonville, Oregon. Audix dynamic instrument microphones are widely used by sound engineers throughout the world. Artists that tour with Audix include: Tower of Power, Todd Sucherman (STYX), Poncho Sanchez, Travis Barker (Blink 182), Giovanni Hidalgo, Thomas Lang, Thomas Pridgen and Gregg Bisonnette to name a few. |
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The D2 is
used for stage, studio and broadcast applications. It is designed with
a hypercardioid pickup pattern for isolation and feedback control and
is equipped with a VLM™ diaphragm for natural, accurate sound
reproduction. The D2 is an excellent choice for miking instruments with a percussive nature such as rack toms, congas, saxophones, guitar cabinets and brass. Transformer less design, low impedance and balanced output insure that the D2 will perform interference-free. |
Specifications D2 Type Dynamic Polar Pattern Hypercardioid Frequency Response 68Hz - 18kHz Impedance 280 ohms Sensitivity @1k 1.2 mV/Pa Applications Rack toms, congas, floor toms - Guitar and bass cabinets - Saxophone, brass |
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With a wide frequency response of 40 Hz - 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4
is an excellent choice for miking instruments requiring precise,
low frequency reproduction such as large rack toms, floor toms, cajon,
djembe, tympani, leslie bottom, bass flute, saxophone and baritone
saxophone, trombone, acoustic bass, bass cabinets and small kick drums. The D4 is lightweight, compact and easy to position. Used for stage, studio and broadcast applications, the D4 is designed with a hypercardioid pickup pattern for isolation and feedback control. The D4 is also equipped with a VLM™ diaphragm for natural accurate sound reproduction. |
Specifications D4 Type Dynamic Polar Pattern Hypercardioid Frequency Response 40Hz - 18kHz Impedance 280 ohms Sensitivity 1.4 mV/Pa @1k Applications - Live stage or recording - Large rack tom, floor tom, small kick drum - Cajon, djembe, tympani, leslie bottom - Bass flute, sax and baritone sax, trombone - Acoustic bass, bass cabs |
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The D6
is used for stage, studio and broadcast applications. Designed with a
cardioid pickup pattern for isolation and feedback control, the D6 is
equipped with a VLM™ diaphragm for natural, accurate sound
reproduction. Lightweight, compact and easy to position, the D6 is an excellent choice for miking instruments requiring extended low frequency reproduction such as kick drums, large toms and bass cabinets. The D6s transformer less design, low impedance and balanced output allow for interference-free performance. Designed, assembled, and tested by Audix in the USA. |
Specifications D6 Type Dynamic Polar Pattern Cardioid Frequency Response 30Hz - 15kHz Impedance 280 ohms Sensitivity .8 mV/Pa @ 80Hz Applications - Live stage, recording - Kick drum - Floor tom - Bass cabinets - Leslie bottom |
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The Fusion Series are high performance microphones in a cost effective package. The f2 is best used for miking instruments requiring mid-bass and mid-high reproduction in live and studio applications. Its hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound coming from the room or other instruments on stage. Low impedance and balanced output on the f2 allow interference-free performance. Compact and durable, the f2 features a cast zinc alloy body, steel mesh grill and gold plated XLR connector. |
Specifications f2 Type Dynamic Polar Pattern Hypercardioid Frequency Response 52 Hz - 15 kHz Impedance 580 Ohms Sensitivity 2 mv / Pa @ 1k Applications - Live Stage, studio - Rack toms, floor toms - Congas, djembe - Guitar and bass cabs - Brass |
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The Fusion Series microphones represent affordable excellence. The f5 is an ideal choice for snare, toms, percussion and acoustic instruments in live and studio applications. A hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound. The f5's low impedance and balanced output allow interference-free performance. |
Specifications f5 Type Dynamic Polar Pattern Hypercardioid Frequency Response 55 Hz - 15 kHz Impedance 580 Ohms Sensitivity 2.2 mV / Pa @ 1 kHz Applications - Live Stage, studio - Snare, toms, percussion - Guitar and bass cabinets, electric intruments - Brass, flute,woodwinds - Acoustic intruments - Vocals, speech |
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The Fusion Series microphones represent affordable excellence. The f6 is designed for instruments requiring bass reproduction in live and studio applications. The f6's hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sounds on stage. The f6 has low impedance and balanced output providing interference-free performance. |
Specifications f6 Type Dynamic Polar Pattern Hypercardioid Frequency Response 40 Hz - 16 kHz Impedance 580 Ohms Sensitivity 1.2 mV / Pa @ 80 Hz Applications - Live Stage , recording - Kick Drum - Kettle drum, floor tom - Bass Cabinets, Leslie bottom |
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Designed with a cardioid pickup pattern for isolation and feedback control, the i5
is equipped with a VLM™ diaphragm for natural, accurate sound
reproduction. The i5 is used for stage, studio and broadcast
applications and is able to handle SPLs in excess of 140 dB without
distortion. The i5 can be used to mic a wide variety of musical instruments, guitars and bass cabinets as well as vocals and speech. The i5 is sturdy, compact and easy to position. With a wide frequency response of 50 Hz - 16 kHz, the i5 provides clear sound reproduction without having to rely on EQ. Designed, assembled and tested by Audix in the USA. |
Specifications i5 Type Dynamic Polar Pattern Cardioid Frequency Response 50 Hz - 16 kHz Impedance 280 ohms Sensitivity 1.6 mV/Pa @1k Applications - Live stage, studio - Snare, toms, percussion - Guitar cabinets, electric instruments - Bass cabinets - Brass, flute, woodwinds - Acoustic instruments - Vocals, speech |
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The FireBall™
is designed for harmonicas (both diatonic and chromatic) and
beatbox. Clear, accurate and capable of handling SPLs in excess
of 140 dB without distortion, the FireBall™ is ideally suited for
both live stage and studio recording applications. The FireBall™ mic has a smooth, uniform frequency response of 50 Hz - 16 kHz, and a cardioid pickup pattern for isolation and feedback control. It is lightweight, compact and comfortable to hold. The FireBall™ is manufactured with a precision machined aluminum body, steel mesh grill and unique three stage marbled anodized finish. Because the FireBall™ is a low impedance microphone, when using with a guitar amplifier, a quality, low-high impedance transformer (see T50k) is required. Designed, machined, assembled and test by Audix in the USA. |
Specifications FireBall Type Dynamic Polar Pattern Cardioid Frequency Response 50Hz - 16kHz Impedance 280 ohms Sensitivity 1.5 mV/Pa @1k Applications - Live Stage, studio - Harmonica - Vocals - Beatbox - Percussion - Saxophone, trumpet, trombone - Flute - Accordian |
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The FireBall V,
with a cardioid pickup pattern for isolation and feedback control, is
equipped with a VLM™ diaphragm for natural sound reproduction
with exceptional transient response. Designed for harmonicas (both diatonic and chromatic) and beatbox, the FireBallV has the added feature of a volume control knob. The Fireball V has a wide frequency response of 50 Hz - 16 kHz and is lightweight, compact and comfortable to hold. Because the FireBall V is a low impedance microphone, a quality, low-high impedance transformer (T50k) is required when using with a guitar amplifier. |
Specifications FireBall V Type Dynamic Polar Pattern Cardioid Frequency Response 50Hz - 16Hz Impedance 280 ohms Sensitivity 1.5 mV/Pa @1k Applications - Live Stage, studio - Harmonica - Vocals - Beatbox - Percussion - Saxophone, trumpet, trombone - Flute - Accordian |
| Installed Sound Microphones | ||
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Contractor
(installed) microphones are required for a full range of applications
that demand sound to be captured at a greater distance than what is
expected of a stage vocal microphone. With superior sensitivity and
lower profile, condenser microphones are the choice for contractor use. Applications include: gooseneck mics for podium and boardroom, hanging mics for choir or VTC (video teleconferencing) and mics used for measurement, USB and lapel. Audix microphones are preferred by installers because they consistently provide superior fidelity, durability, versatility, and value; with ease of installation. |
Applications - Podium - Lectern - Video conferences - Classrooms - Courtrooms - Boardrooms |
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The ADX
series is a professional miniature gooseneck condenser microphone
designed for applications such as podium, presentation, meetings and
teleconferencing. With a uniformly controlled cardioid polar pattern, the ADX12 & ADX18 helps isolate the speaker from ambient noise. The ADX series is available in a hypercardioid polar pattern for tighter pick-up control. The ADX series is desiged with an integrated preamp circuitry built into the base of the XLR. They can be mounted permanently via the supplied flange mount or with an optional base with an internal shock mount (see model ATS10, ATS1, ATS1L). The mic may also be used on a standard mic stand using the DCLIP snap to fit mic holder. |
Specifications ADX12 & ADX18 Type Pre-polarized Condenser Polar Pattern Cardioid, Hypercardioid Frequency Response 40Hz - 18kHz Impedance 150 Ohms Sensitivity @1k 24mV/Pa (C), 30mV/Pa (HC) Applications - Live sound, recording - Stage productions - Theatre - Ceremonies, weddings - Teleconferencing, boardroom - Piano - Room ambience |
| Ver outros modelos | Dynamic Instrument Microphones | Dynamic Vocal Microphones |Condenser Instrument Microphones |