AUDIOVISUAIS Palcos & Bastidores Unp.Ldª | AUDIOVISUAIS Palcos & Bastidores Unp.Ldª |
| Dynamic vocal microphones are the most popular
type of vocal microphone for live performances because of their
durability, flexibility, pattern control and cost. Between 1986 and
1989, Audix broke new ground with the OM Series of vocal microphones
with VLM™ (Very Low Mass) technology. These microphones received
critical acclaim and set new performance records for clarity, SPL
(Sound Pressure Level) handling and gain before feedback, particularly
on stages with very high noise environments. Popular with professional performers, live sound and broadcast engineers, Audix dynamic vocal microphones are chosen by artists such as: Alanis Morissette, Of Monsters and Men, Willie Nelson, Bonnie Raitt, The Doobie Brothers, Ani DiFranco, Crosby, Stills and Nash, Pearl Jam, The Red Hot Chili Peppers, Jimmy Eat World and Alkaline Trio, to name a few. Dynamic Vocal Microphones |
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The OM2 is
a dynamic vocal microphone used for a wide variety of live, home and
studio applications. This mic has clear and accurate sound
reproduction, resistance to feedback and ability to handle very high
SPLs without distortion. The OM2 utilizes a tight, uniform pattern which helps isolate vocals from the instruments on stage. With a wide frequency range of 50 Hz - 16 kHz, the OM2 employs a VLM™ diaphragm for a clear, precise sound with exceptional voice response. Designed with a slight bass proximity and a tailored mid-range, the OM2 has a full-bodied sound on small to mid-sized PA systems while retaining true sound on large or professional PA systems |
Specifications OM2 Type Dynamic Polar Pattern Hypercardioid Frequency Response 50Hz - 16kHz Impedance 290 ohms Sensitivity 1.6 mV / Pa @ 1k Applications - Live stage - Small venues and outdoor concerts - Broadscast - Vocals, sax, brass, guitar, dobro, flute, percussion, drums - Home studi |
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Audix's OM3
is used for a variety of live, studio and broadcast applications. This
mic provides accurate sound reproduction, resistance to feedback and
ability to handle very high SPLs without distortion. The OM3 is made with a tight and uniformly controlled hypercardioid polar pattern that isolates the vocals from the rest of the instruments on stage. A slight natural roll-off in the lower mid-bass frequencies allows the OM3 to reduce boominess and handling noise. This, in conjunction with an extremely articulate mid-range, makes this mic an excellent choice for PA systems of all sizes |
Specifications OM3 Type Dynamic Polar Pattern Hypercardioid Frequency Response 50Hz - 18kHz Impedance 290 ohms Sensitivity @1k 1.6 mV/Pa Applications - Live Stage and recording - Broadcast - Sax, brass, guitar, dobro, flute, percussion, drums - Home studio |
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The OM5 is
made with an extremely tight and uniformly controlled hypercardioid
polar pattern which isolates the vocals from the rest of the
instruments on stage or in a studio. Used on stage, in studios and for broadcast applications, the OM5 has a reputation for clarity, resistance to feedback and ability to handle SPLs in excess of 144 dB without distortion. The OM5 is naturally attenuated at 120 Hz to reduce boominess and handling noise. The mid-range is tailored to provide extra presence in the vocals allowing the vocalist to be easily heard through the main speakers as well as the monitors. |
Specifications OM5 Type Dynamic Polar Pattern Hypercardioid Frequency Response 48Hz - 19kHz Impedance 200 ohms Sensitivity 2 mV / Pa @ 1k Applications - Lead or backing vocals - Live recording - Broadscast - Sax, brass, guitar, dobro, flute, percussion, drums - Home studio |
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The OM6
is a dynamic vocal microphone used for live performances, studio and
broadcast applications. The OM6 touts a broad frequency response,
full-bodied and articulate sound reproduction, resistance to feedback
and ability to handle high SPLs in excess of 144 dB without distortion. The OM6 has a tight and uniformly controlled hypercardioid polar pattern which helps isolate vocals. Designed with condenser-like qualities, the OM6 has a smooth, rising response between 2kHz -10kHz along with a flat, fully extended bass response from 60 Hz - 1 kHz. This, in conjunction with an extremely tailored mid-range, makes the OM6 an excellent choice for broadcast and live recording. Designed, assembled and tested by Audix in the USA. |
Specifications OM6 Type Dynamic Polar Pattern Hypercardioid Frequency Response 40Hz - 19kHz Impedance 290 ohms Sensitivity 1.5 mV/Pa @ 1k Applications - Live Stage, live recording - Lead and backing vocals - all venues - Broadcast - Sax, brass, guitar, dobro, flute, percussion, drums - Home studio |
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The OM7
is used by professional sound companies, front of house and mixing
engineers as well as high profile fixed installations. The OM7 provides
unprecedented gain before feedback on concert level stages without
sacrificing sound quality. In addition, the mic is very resistant to
feedback on extremely loud stages and for performers who tend to
“cup” the microphone with both hands. In order to achieve these extraordinary performance benefits, the OM7 is designed with an unconventionally low output level (8-10 dB lower than typical dynamic microphones). This low output level acts as a natural “pad” at the capsule in order to maintain high fidelity at the source. The OM7 is best suited for use with high quality mixing consoles which have plenty of head room to compensate for the low gain |
Specifications OM7 Type Dynamic Polar Pattern Hypercardioid Frequency Response 48Hz - 19kHz Impedance 50 ohms Sensitivity 0.8 mV/Pa @1k Applications - Lead or backing vocals - Live recording - Broadscast - Sax, brass, guitar, dobro, flute, percussion, drums - Home studio |
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Designed, machined, assembled and tested by Audix in the USA, the OM11
was first issued in 1985 as the OM1. This mic is a dynamic vocal
microphone used for a wide variety of live, studio and broadcast
applications. Its sharp, crisp vocal sound, resistance to feedback and
ability to handle high SPLs without distortion are trademarks of the
OM11. The OM11 is designed with a tight, uniformly controlled hypercardioid polar pattern which helps isolate the vocals on stage. The response of the OM11 is tailored to cut through the mix, providing extra presence and articulation to the vocals even at very high stage volumes. In addition to having extremely low handling noise, the OM11 is well balanced, comfortable to hold and durable. |
Specifications OM11 Type Dynamic Polar Pattern Hypercardioid Frequency Response 50Hz - 18kHz Impedance 200 ohms Sensitivity @1k 1.9 mV/Pa Applications - Live Stage, live recording - Lead and backing vocals - all venues - Broadcast - Home studio |
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The f50
embodies a tight and uniformly controlled cardioid polar pattern which
assists in isolating the vocals from the instruments on stage. The f50
is also available with a noiseless, magnetic on/off switch (f50S). Its warm, natural sound reproduction, resistance to feedback and ability to handle high SPLs without distortion allows the f50 to be utilized in a variety of live and studio applications. The f50 is an entry level, all purpose vocal microphone for small to midsize PA systems |
Specifications f50 Type Dynamic Polar Pattern Cardioid Frequency Response 50Hz - 16kHz Impedance 250 ohms Sensitivity @1k 1.8 mV/Pa Applications - Multi-purpose vocals - Drums, Guitar cabinets - Acoustic instruments - Home studio recording |
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The VX5 is
a multi purpose, professional vocal condenser microphone designed for
live, studio and broadcast applications. With an ability to duplicate
studio quality sound on stage, the VX5 has a smooth and accurate
frequency response, resistance to feedback and handles very high SPLs
without distortion. Designed with a tight and uniformly controlled supercardioid polar pattern, the VX5 helps isolate vocals from the rest of the stage. Other features are a 14 mm gold vapor diaphragm, an acoustically ported steel mesh grill with a multi-stage pop filter, and a -10 dB pad and bass roll-off filter. The VX5 will handle SPLs in excess of 140 dB (with pad and roll-off engaged) and will provide over 20 dB of ambient noise rejection on live stages. In addition to vocal applications, the VX5 is designed to capture instruments such as guitars, woodwinds, brasses, percussion toys, drum overheads, hi-hats and pianos. The VX5 requires 18 - 52 V phantom power. |
Specifications VX5 Type Pre-polarized Condenser Polar Pattern Supercardioid Frequency Response 40Hz - 16.5kHz (+/-3dB) Impedance 150 ohms Sensitivity @1k 5 mV/Pa Applications - Live and studio vocals, lead and backing - Speech - Acoustic instruments |
| Ver outros modelos | Dynamic Instrument Microphones | Dynamic Vocal Microphones |Condenser Instrument Microphones |